The Cleveland Symposium -- a showcase of art history graduate student scholarship
Submitted by Evelyn Kiefer on Fri, 04/14/2006 - 11:28.
04/15/2006 - 09:30
04/15/2006 - 17:00
Etc/GMT-4
"Art About Art" - Now in its 32nd year, the Cleveland Symposium is organized by the graduate students in the Case Western Reserve University/Cleveland Museum of Art Joint Program in Art History & Museum Studies.
Graduate students from around the country will present papers addressing a variety of topics including self-portraits, artist academies and training, artist's quoting earlier art, paintings-within-paintings, etc.
Location: Thwing Ballroom Free of charge Open to the public
Session One: 1. The Postmodern World View from Jorge Pardo's Avant-Garde Restaurant—Jodi Kovach, Washington University 2. Open Book, Closed Drawer: Censorship, Taste, and the Politics of Visual Circulation in Walker Evans Cuban Portfolio—Jordan Bear, Columbia University 3. The Starvation of Mary: Chekhonin'a Famine and Its Reinterpretation of the Bogomatep— Rachel Gratiy, Pennsylvania State University
Short Break 10:30-10:45
Session Two: 4. "Funnier to be noticed than not to be": Charles Demuth's Local Landscape as Queer Self-Portrait—Jonathan Walz, University of Maryland 5. Charles Bird King's Itinerant Artist: Fictitious Self-Portrait as Genre—Rowena Dasch, University of Texas at Austin 6. Les caricaturistes peints par eux-memes—Karen Leader, New York University 7 John Flaxman Modeling the Bust of William Hayley by George Romney: A Visual Paragone—Todd Magreta, City University of New York
Lunch 12:45-2:00
Session Three: 8. Grey-eyed Athena: Reflections of the Erechtheion in the Portico of Lorenzo de Medici's Villa at Poggio a Caiano—Jeremy Johnson, Florida State University 9. Imitatio and the Quotation of Renaissance Masters in Late Italian Baroque Painting—Chris Naffziger, University of Maryland 10. Academies' Anatomy: The Gender Dilemma of Eighteenth-Century Academic Practices as Reflected in Zeuxis Imagery--Reagan Duplisea, Case Western Reserve University
Break 3:30-3:45
Awards 3:45-4:00
Keynote Presentation 11. Michelangelo Redivivus: Bernini's Faun Reconsidered—Lindsey Schneider,New York University
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Cleveland Symposium Agenda
From the Case website:
Breakfast and Opening Remarks 8:30-9:00
Session One:
1. The Postmodern World View from Jorge Pardo's Avant-Garde Restaurant—Jodi Kovach, Washington University
2. Open Book, Closed Drawer: Censorship, Taste, and the Politics of Visual Circulation in Walker Evans Cuban Portfolio—Jordan Bear, Columbia University
3. The Starvation of Mary: Chekhonin'a Famine and Its Reinterpretation of the Bogomatep— Rachel Gratiy, Pennsylvania State University
Short Break 10:30-10:45
Session Two:
4. "Funnier to be noticed than not to be": Charles Demuth's Local Landscape as Queer Self-Portrait—Jonathan Walz, University of Maryland
5. Charles Bird King's Itinerant Artist: Fictitious Self-Portrait as Genre—Rowena Dasch, University of Texas at Austin
6. Les caricaturistes peints par eux-memes—Karen Leader, New York University
7 John Flaxman Modeling the Bust of William Hayley by George Romney: A Visual Paragone—Todd Magreta, City University of New York
Lunch 12:45-2:00
Session Three:
8. Grey-eyed Athena: Reflections of the Erechtheion in the Portico of Lorenzo de Medici's Villa at Poggio a Caiano—Jeremy Johnson, Florida State University
9. Imitatio and the Quotation of Renaissance Masters in Late Italian Baroque Painting—Chris Naffziger, University of Maryland
10. Academies' Anatomy: The Gender Dilemma of Eighteenth-Century Academic Practices as Reflected in Zeuxis Imagery--Reagan Duplisea, Case Western Reserve University
Break 3:30-3:45
Awards 3:45-4:00
Keynote Presentation
11. Michelangelo Redivivus: Bernini's Faun Reconsidered—Lindsey Schneider,New York University