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  Generations: The School of Viktor Schreckengost
3/17 – 4/14/06 , Wed. - Fri 10-5 & Sat 12-4;  ph. 216-721-9020 http://www.artistsarchives.org/

The Artists Archives is proud to take part in the exhibitions and celebrations commemorating the centennial of Viktor Schreckengost’s birth with an unusual show of original drawings and objects from the collection of the prominent Cleveland-based design firm Nottingham – Spirk.
Schreckengost has been a seminal figure in his own right in contemporary American design since the 1930’s. As an educator he has impacted countless students, influencing three generations of commercial and industrial designers.

“The School of Viktor Schreckengost” explores one corner of that ever-widening sphere of influence, displaying a selection of Viktor’s original studies and objects designed for mass consumption, plus a selection of familiar objects created by seven of his former students – familiar because they have become part of our daily lives.

Opening Reception March 17, 2006 from 5-8pm. This event is free and open to the public, RSVP unnecessary but please feel free to call 216-721-9020 for further details. Please note that across the hall The Sculpture Center’s annual On a Pedastel show, 3/10 – 4/14/06 was selected this year by Viktor Schreckengost. Together the two exhibits offer a unique chance to glimpse the mind of one of the past century’s most celebrated designers.
New hours, during exhibitions only: Wed. – Fri. 10am – 4pm, Sat. 12 – 4pm, admission free and open to public. Groups welcome: off-hour gallery tours can be arranged by appointment, if necessary. AAWR is an independent entity, self-sustaining through a fee charged to Archived Artists for storage space utilized. It is also supported through grants, contributions, and fundraising activities. Selections of Archived work are shown at various corporate locations throughout the region, thus another source of revenue is the fee charged for such corporate memberships.

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The Organization of Chinese Americans of Greater Cleveland
With funding from Charter One Bank is proud to presents
Embracing the Hope and Understanding -
Discrimination and Hate Crime Prevention Free Workshop Series
 
(Cleveland, Ohio) Charter One Bank has awarded the Organization of Chinese Americans of Greater Cleveland to start 2006 with a series of workshops entitling Embracing the Hope and Understanding - Discrimination and Hate Crime Prevention Workshop Series that will be held monthly free to the public.
 
The purpose of this project is to conduct community based services to address discrimination and hate crime related issues for Asian Americans and to develop innovative responses to help the needs within the community. Chinese/English assistant and refreshments will be available at each workshop.
 

Second workshop has been scheduled for Sunday, March 26 2006 with the topic of Hate Crime and Discrimination for Asian Americans in the Greater Cleveland area.  Moderated by OCAGC VP of Administration, Mr. Ray C. S. Chan.

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"Don't Tell Your Head" and exhibition by Ben Kinsley & Steve Probert 

Exhibition Opening 6-9 p.m. Soul by djay ICEBURG

Music at 9 p.m. by Ghostman/Sandman, Genders, GirlTalk

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From today's Akron Beacon Journal, by Malcom X. Abram:

Still in need New Orleans is still screwed -- to put it bluntly. Among the thousands of people forced out of their homes and now out of the hotels/shelters in which they were temporarily residing are many musicians who aren't Wynton Marsalis or the Neville Brothers, who still need a helping hand.

Friday night at the Lime Spider in Akron, there will be a ``Displaced Musicians Benefit'' featuring music, videos and a curated art show. The music will be provided by headliner Big Daddy & the Hoo-Doo Men, blues guitarist Ian Penter, The Satisfiers, the all-female zydeco band SugarTwang, Derek DePrater Blues Band, area rockabilly favorites Honkytonk Damnation and a rare live appearance from Trial of Lucy. featuring members of Unit 5, The Mundanes and a guy who makes a mean grilled-cheese sandwich.

The videos will be provided by Karen Kilroy of the Ohio Hysterical Musical Society and the art show will be curated by artist Vincent Packard. Numbers Band main man Jack Kidney will host along with Chris Butler of the Waitresses and Tin Huey.

All proceeds will be donated to New Orleans' Tipitina's Foundation, which helps musicians find temporary housing.

Matthew Barney's CREMASTER films are not on video or DVD, so this is a rare chance to see them.

Admission to each program is $8, Cinematheque members $5.
 

Friday, March 24, at 7:30 pm
All-Request Weekend!
Double Feature!
CREMASTER 1
USA, 1995, Matthew Barney
CREMASTER 2
USA, 1999, Matthew Barney
Sculptor Matthew Barney's five Cremaster movies have become an art-world sensation. But few have seen the complete film cycle, named for the muscle that regulates the height of the testicles in the male body. Cremaster 1 is set in a hovering Goodyear blimp, where a woman arranges grapes into geometric patterns that a bevy of chorus girls re-create on a blue Astroturf football field below. Cremaster 2 is a mythopoeic western that encompasses executed Utah killer Gary Gilmore (Matthew Barney), legendary escape artist Harry Houdini (Norman Mailer), bees, cars, country dancing, the Mormon Tabernacle Choir, and stunning scenic vistas. Both 35mm. Total 120 min. www.cremaster.net

Saturday, March 25, at 7:00 pm
All-Request Weekend!
CREMASTER 3
USA, 2002, Matthew Barney
The last-completed film in Matthew Barney's Cremaster cycle is the longest, grandest, and most accomplished. Shot in locations ranging from Ireland and Scotland to the Chrysler Building and the Guggenheim Museum, this surrealistic, dialogue-less epic embraces myth and history while offering up a series of visually staggering vignettes illustrating man's age-old proclivity to create and destroy. During the course of this inscrutable but fascinating "spaces" odyssey, Barney confronts Masons, chorus girls, punk rockers, a half-cheetah woman, and the architect of the Chrysler Building (played by artist Richard Serra). 35mm. 178 min.

www.cremaster.net\n

\nSunday, March 26, at 7:00 pm
\nAll-Request Weekend!
\nDouble Feature!
\nCREMASTER 4
\nUSA, 1994, Matthew Barney
\nCREMASTER 5
\nUSA, 1997, Matthew Barney
\nPart 4 of Matthew Barney\'s Cremaster cycle is set on the Isle of Man,\nwhere a red-haired satyr (Barney) tap dances through the floor of a\nbuilding and into the sea, and rival motorcycle gangs race in opposite\ndirections around the island. Part 5 is a hypnotically strange and\nvisually stunning spectacle set in, around, and under a Budapest opera\nhouse, where a Queen (Ursula Andress), a Diva, a Magician, a Giant (all\nBarney), and some water sprites enact a bizarre ritual of sexual release.\nFellini would be proud! Both 35mm. Total 97 min.\nwww.cremaster.net\n

\n

\n

\n--
\nJohn Ewing
\nDirector
\nCleveland Institute of Art Cinematheque
\n11141 East Boulevard
\nCleveland, Ohio 44106
\nUSA

\nTel 216 421 7450
\nFax 216 754 3632
\n\nwww.cia.edu/cinematheque

\nCleveland\'s alternative film theatre. Since 1986.

\n
\nDear Dept. of Art History,
\n
\nIf possible, please send this info to your faculty and students. Matthew\nBarney\'s CREMASTER films are not on video or DVD, so this is a rare\nchance to see them.

\nAdmission to each program is $8, Cinematheque members $5.

\nThanks,
\nJohn Ewing
\nCinematheque Director

\n-------- Original Message --------
\nSubject: Matthew Barney\'s CREMASTER returns to Cinematheque
\nDate: Tue, 07 Mar 2006 12:38:04 -0500
\nFrom: Timothy Harry\ntharry [at] gate [dot] cia [dot] edu\" target\u003d\"_blank\" onclick\u003d\"return top.js.OpenExtLink(window,event,this)\"><tharry [at] gate [dot] cia [dot] edu>\n
\nTo: undisclosed-recipients:; ",1] ); //-->

www.cremaster.net

Sunday, March 26, at 7:00 pm
All-Request Weekend!
Double Feature!
CREMASTER 4
USA, 1994, Matthew Barney
CREMASTER 5
USA, 1997, Matthew Barney
Part 4 of Matthew Barney's Cremaster cycle is set on the Isle of Man, where a red-haired satyr (Barney) tap dances through the floor of a building and into the sea, and rival motorcycle gangs race in opposite directions around the island. Part 5 is a hypnotically strange and visually stunning spectacle set in, around, and under a Budapest opera house, where a Queen (Ursula Andress), a Diva, a Magician, a Giant (all Barney), and some water sprites enact a bizarre ritual of sexual release. Fellini would be proud! Both 35mm. Total 97 min. www.cremaster.net

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You may have read the reviews but have you seen the show yourself? Lilian  Tyrrell is one of the best artists in NEO, perhaps in the United States. An exhibition of her work at Spaces Gallery is in its last days and closes with a reception Friday evening (see the Realneo calendar for details).

A closing reception for The Persistence of Conscience: Textiles and Drawings 1979-2005, a retrospective of Lilian Tyrrel's works.

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    Meeting to discuss next steps for the sorely neglected Coast Guard building near Whiskey Is.

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New Approaches to Economic Development: Building Prosperity through Open Networks

Date: Monday, March 27 and Tuesday, March 28

A solo show of photographs by Steven Mastroianni, reception today, show continues through Friday April 14th call 216-621-1610 or go to www.brandtgallery.org

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Date: Wednesday, March 8

Time: 5:00 P.M. - 6:45 P.M.

Place: Myers University, Chester Campus

Always a lot of interesting art to see. Some of my favorite galleries are Asterisk, Doubting Thomas and Pilgrim Church. Stay for diner and drinks after the art walk.

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A lecture by Rachel Sternberg, Ph.D., Assitant Professor of Classics.

Educated 18th-century Europeans thought of ancient Athens as an enlightened age much like their own, where one could observe the intellectual and moral progress of the human mind. Did Thomas Jefferson and other Founders view Athens in the same way? If so, how did they construe the contradition between slavery and humane ideal in Athens - a contradition that they themselves faced in America? In 1788, the French numismatist Jean-Jaques Barthelemy published an eight volume work, The Travels of Anacharsis the Younger in Greece, told from the point of view of an imaginary Scythian visiting Greece in the fourth century B.C. It was a huge success, comprising 40 editions, and Thomas Jefferson purchased a set for his library at Monticello. Anacharsis, then, allows us to explore the historical imagination of the Enlightenment through a work that crossed the Atlantic and shaped thinking in the New World as well as in the Old. This talk focuses on how Barthelemy dealt with Athenian slavery and judicial slave torture: his selection and handling of the ancient evidence for those institutions, and his attempt to reconcile them with the brilliance of Athens.

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Join arts and cultural professionals from around the region to discuss Northeast Ohio’s economic future. The Cuyahoga County Cultural Roundtable is hosting a Voices and Choices Community Conversation.

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3 artists: Amathin, Amy Casey, Liz Maugans, exhibition continues until April 1st. e.gordon gallery features contemporary art. Gallery Director is Elizabeth Davis, for info: www.egordongallery.com, info [at] egordongallery [dot] com, ph. 216-795-0971,

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Case Western Reserve University Department of Art History and Art
and the Friends of Art History invite you to a presentation by the curators of an important contemporary art collection "Getting Art is Getting Informed:
Art Education in a Corporate Environment" Kristin Rogers and H. Scott Westover, Art Education and Communications Manager and Curator
The Progressive Art Collection Progressive Insurance Inc.

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After three years, our final exhibition will explore Joseph Turkaly's willingness to return to previously visited themes but with an all new outlook and style. The show will feature many works from his private collection as well as photographs of his work. In addition, we will be exhibiting paintings by Andrew and Peter Turkaly, his two sons. for information: www.turkalyart.com, tbt99 [at] sbcglobal [dot] net, ph. 216-721-1233

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Pamela G. Smart is an Assistant Professor of Anthropology at Binghampton University. Her Specialties include the anthropology of art worlds, museum studies, cultural formations of modernity and post modernity, and gender studies. Her published works include the following:

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