John House, Professor, Courtauld Institute of Art, lectures at the CMA as part of the Monet Lectures series accompanying the exhibition "Monet in Normandy". This lecture is free and held in the Recital Hall.

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Hollis Clayson, Professor, Northwestern University, lectures at the CMA as part of the Monet Lectures series accompanying the exhibition "Monet in Normandy". This lecture is free and held in the Recital Hall.

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A film not to be missed by Stanley Kubrick fans: COLOR ME KUBRICK: A TRUE...ISH STORY (Britain/France, 2005, Brian W. Cook) This amusing new movie tells the incredible true story of Alan Conway, a small-time British con man who passed himself off as the famously reclusive filmmaker in 1990s London. As played by John Malkovich, Conway is a gay man of many accents and an eyebrow-raising wardrobe who scored lots of drinks, dinners, cash, and companions with his extended ruse. The movie's witty allusions to Clockwork Orange and 2001 are attributable to the fact that both the writer and the director worked for Kubrick for many years. "A sly, enormously entertaining romp." -Variety. Cleveland theatrical premiere. 35mm. 86 min. www.magpictures.com

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Beach at Sainte-Adresse, 1867

Renowned Impressionist and Monet scholar, and professor at the University of Massachusetts,  Paul Tucker lectures at the CMA as part of the Monet Lectures series accompanying the exhibition "Monet in Normandy". Paul Tucker has written many scholarly books on Monet and has curated several Monet exhibitions.

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The Case Western Reserve Department of Art History and Art will feature Maurizio Seracini, an art diagnostician who has spent the past 30 years using scientific techniques that incorporate new space technologies and medical/surgical advances to study works of art in non-invasive fashion.

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draw your own conclusions about the market.   post em here.

Untitled (from the Silueta Series, August 1978,

Photograph, 8 x 9 15/16"

Wednesday, March 28 there will be a free screening of short films by Ana Mendieta that document her performances from the 1970s and 1980s, notably her earthwork/body art siluetas.

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I was quite honored to be contacted, a few weeks ago, by the producer of one of my favorite television programs, Dee Perry's "Applause", asking for information about REALNEO. Seems he was doing research on the spectacular Convivium 33 Gallery, which we have featured extensively on REALNEO, covering Christopher Pekoc here and Clarence Van Duzer here (photos from which were featured in Cleveland Magazine), so REALNEO came up in search results. The producer saw REALNEO as in interesting source of insight on arts and culture in NEO and suggested to his staff doing a segment on Applause about REALNEO. Even though we scheduled the interview, this seemed very abstract until I just saw a promotion on WVIZ for the show, featuring a scrolling view of the REALNEO home page.

Neil Nisbet is masterful with this camera and getting the video up on the site for all to see. What a great service he does for dance company's in the UK and Europe! Thanks Neil!

The latest installment is Verve. (not Verb)

I thought I'd take this opportunity to tie together many of the theoretical pieces that I've developed and evolved over the years which just might comprise a holistic collection of synergistic sustainability submittals that comprise a body of work that could be considered contributive to the collective Whole.   They all fit together in a seamless way, without wayward explanation needed.  Ultimately these could be taken to begin to build a roadmap toward the ultimate vision - significant progress beyond the impending activation of the Genesis project, and the core change mechanisms and revenue driving efforts to drive it.  To put it simply, I hope the world's change leaders take these and implement them as they see fit for their particular sphere of influence.  If we take care to integrate structure, process and function meaningfully it should result in sustainable positive change.  Recent dialogues with AI/change leaders from Nepal and Zambia bode well for implementation potential.

A Spring Suzuki Workshop will be held at the Windermere United Methodist Church on Euclid Avenue, from April 9 - 13th, in East Cleveland. Our guest faculty will be Arvilla Rovit.

  Arvilla Rovit has Bachelor's and Master's degrees from The Juilliard School where she studied with Heidi Castleman, Misha Amory and Hsin-yun Huang.  A graduate of the internationally acclaimed School for Strings Teacher Training Program (New York), a two-year apprentice program in Suzuki Pedagogy, and having attended numerous Teacher Training Workshops, Ms. Rovit is Suzuki Teacher Certified to teach violin and viola.  Her Suzuki viola teachers have included William Preucil, Sr., and Betsy Stuen-Walker.  Upon graduating from Juilliard Arvilla was awarded a Special Award for Achievement by Drs. Marilyn Pearl and Norman Roland.

Proud to see my parents support this exciting expression of the arts in NEO, hosted at the Main Branch of the Cleveland Public Library - thanks to Charles Burkett for pointing out this notice about the show on the CPL website. - it is worth checking out this exhibition, organized by the very cool Elmer Buford

3rd Annual Art Fur Animals Benefit & Auction, all proceeds go directly to the care of animals at the City of Cleveland Kennel.
I went to this even last year and it was a lot of fun. Various artists painted about 30 ceramic dogs that were sold by auction. There were other types of art (prints, photos) being auctioned too. The low admission price brought in a fun crowd. There were free appetizers and a cash wine bar. I liked how the whole event was done at a very low cost allowing most of the money to go to the animals. But, what I enjoyed most was seeing all that creativity. I bought a dog with scenes of the Mediterranean painted on serveral areas of his anatomy. This year should be no less interesting!

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A snippet from Palm Beach Post on organic juice sales.   Though I consume it in tandem with organic milk, organic juice availability just has not kept pace.   Looks like they finally are waking up in the Orange belt.  Tropica (worlds largest juice guru) only got into the game this Feb.   See how behind the ball the big boys can be.   Looks like it wont be much longer now.  I wonder what is next? 

Niel Nisbet of Article 19 gives us a preview of what I would rush to see if it were not across the pond. Click on the link to see what he posted a couple of days ago on Article 19, one of the best dance websites in the world -- these guys pull out all the technology stops to support dance in Europe!

For those down with Worm Proliferation in general, click here to check out the latest video snippet from our team in action at James Ford Rhodes. The clip is located 2 posts down on the North Coast Green Spieler Blog. 

The list of states considering or adopting film production tax incentives continues to grow.  More than 30 states now offer some form of tax or production incentives, with a few more states preparing to create or expand their incentive packages.  I've previously pointed to Louisiana's success. Tax incentives have helped the state rise in the ranks and Louisiana is now third in the US for film production (behind only CA and NY).  With the hard, diligent work of the Cleveland Film Commission, Ohio took a modest step forward last year, but can we take another step forward to provide stronger incentives to make films here?  The state of Ohio is trailing, while other states continue to move forward.

The great NEO-roots arts Champion David Thomas - driving force behind the amazing Pere Ubu, Rocket From The Tombs, and all things Ubu Projex - brings his Two Pale Boys to Cleveland for their only show in the United States. REALNEO will be there to share the excitement... see some brief notes from my interview with David Thomas from his last RFTT tour through Cleveland here. Make your plans now to turn out for this remarkable event and support the most innovative musical genius ever to rise from our region... and support the Beachland! More below:

 
DAVID THOMAS AND TWO PALE BOYSPERFORM ONE U.S. SHOW ONLY - at the Beachland

David Thomas and two pale boys continue to support their last release
titled, 18 Monkeys On A Dead Man's Chest (Smog Veil).  The album is the
group's fifth release and their third studio album.  It takes the group's
extraordinary sonic lexicon, the trademark soundscaping of  electronic
trumpeter Andy Diagram and guitar/synthesist Keith Moliné, and injects it
with a furious rock urgency. Check the zigzagging riffs and knife-edge
angularity of the blistering "Numbers Man."  There are no drums on this
track and no drums at all during the band's live performance of the material
from the album.

April 10th
at Beachland Ballroom
in Cleveland, Ohio
9:30 pm set time

18 Monkeys On A Dead Man's Chest contains the following nine tracks 1) "New
Orleans Fuzz," 2. "Numbers Man," 3. "Little Sister," 4. "Habeas Corpus," 5.
"Brunswick Parking Lot," 6. "Nebraska Alcohol Abuse," 7. "Sad Eyed
Lowlands," 8. "Golden Surf" and 9. "Prepare for The End."

"Ceaselessly inventive"
- Sunday Times

"Twisted and inspired, it is like everything and nothing you've ever
heard...beautiful and haunted stuff in which to both lose and find
yourself."
- Time Out

"His otherworldly, slightly deranged voice...bears comparison with no other
voice: child-like, full of guilt, pitched somewhere around, although not at,
falsetto, but - and this is the fulcrum of his appeal, around which his
whole oeuvre pivots - it has a serene, mournful quality. Nick Drake and Ian
Curtis had that quality too, but Thomas's palette is broader, his
inclination more avant-garde."
- The Guardian

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Always one of the most important arts events of each year, in NEO, the Cleveland Institute of Art Student Independent Exhibition (now in its 61st year) proves, as promoted, "Tradition doesn’t always have to be stodgy". Far from stodgy - this show is always exciting, in your face, over the top, fun and inspiring. It is also one of the best places in the world to see what art and artists are influencing this region now and will continue to change the world throughout our lives.

Dana Schutz, Relic, 2006
30 x 22 inches, #28 of 100

While chatting with my parents the other day, my dad mentioned they had just bought the above print by globally-hot NEO/CIA trained artist Dana Schutz, who blew the NEO art scene wide open this Fall with her fantastic exhibition of paintings that drew international acclaim and such massive crowds the MOCA gift shop sold out of everything on hand... here's a write up about this print from a Dana Schutz fan in Houston, and gushing praise about the show and MOCA from a visiting arts champion from Detroit (who I quote, about MoCA/Cleveland: "For me MOCA in Cleveland was bittersweet.  It was great to see that places like Detroit can build up and become something and even support young artists.  It is hope that Detroit ,too can have a contemporary.  But it was also a sad reality check that we are a city lacking a fertile art environment.  Let's hope that the talks of Detroit getting a contemporary will actually go somewhere.  Maybe we can kidnap some of the city planners from Cleveland????"). I hadn't heard anything about this important print (or any Schutz prints on the market), which my parents said Dana donated to MoCA to raise funds for them, so I asked my parents how they had heard about it and they said they believed they read about it in the international arts magazine ArtNews - not anywhere in NEO. They sought it out - bought it - and MoCA made money. There are more for sale... more money to be made for MoCA (at $2,200 a piece, making good money for MoCA)... more great arts investments to be made by arts patrons, here or elsewhere.

Simon Fildes sent an email to me inside realneo pointing out that he and Katrina McPherson have posted a new video at LeftLuggage. After you click the link to check out the video, click on move.org.uk. There are four videos that represent the pair's ongoing videodance research.

Go "Citizen" Ed Hauser. Doing good to do good, so all may do well! Here is his latest mapping of the landscape of redevelopment of NEO as abstracted by the powers who be to do well for themselves and their friends. Reply requested! I agree with Ed's conclusion: